ITEN
Articles / 2026

Archive

All ONOFF VISIONS articles in English, from the first publication to today.

The architecture artificial intelligence cannot yet inhabit

252/365

Deepfake enters documentary: can an avatar tell the truth?

251/365

10,000 parallel universes: AI cinema needs new authors, not only new images

250/365

AI-generated cinema begins to find its own language

249/365

Training the machine that could replace you

248/365

Intelligence grows, but becomes harder to observe

247/365

GPT-6 Astra: artificial intelligence enters the age of action

246/365

Who decides how free AI should be?

245/365

Hollywood opens its archives to AI

244/365

Two seconds to recognize a heart at risk

243/365

AI must learn from the factory

242/365

Vertical cinema is becoming an industry

241/365

When AI becomes national sovereignty

240/365

When cameras recognise everyone

239/365

Fifty days to understand the present

238/365

AI needs a power plant

237/365

The robot is no longer a demo

236/365

The doctor stays in the room

235/365

AI enters the company. But who signs the agent’s work?

234/365

In the AI age, can a bad film win?

233/365

Cinemas begin to ban AI glasses

232/365

Does an AI film still need a screenplay?

231/365

The scenery arrives after the actor

230/365

Has Hollywood signed a truce with AI?

229/365

Who will watch all these films?

228/365

AI cinema is building its own circuit

227/365

Has synthetic television arrived?

226/365

Does AI already have a taste of its own?

225/365

Is slowing down the new creative act?

224/365

AI begins to design life

223/365

Europe wants to build the factories of intelligence

222/365

When AI becomes a hacker

221/365

Authenticity becomes a technology

220/365

When AI enters too far into the creative process

219/365

When AI has to declare itself

218/365

The first law of artificial images

217/365

The browser is becoming a collaborator

216/365

When we can no longer tell if a voice is real

215/365

The film we see before it exists

214/365

AI keeps getting cheaper: what really changes

213/365

When newsrooms work with AI too

212/365

The artificial voice leaves a trace

211/365

When glasses begin to observe for us

210/365

Netflix buys Ben Affleck’s secret AI

209/365

AI is changing the way we search

208/365

When AI decides who deserves trust

207/365

When the camera begins to understand

206/365

AI does not shoot the film. But it is learning to direct the set.

205/365

When a personal archive becomes a possible film

204/365

Non-linear cinema: when the audience enters the edit

203/365

The director and the AI agent

202/365

When AI recognizes your digital double

201/365

When AI enters the recording studio

200/365

When AI watches the film and suggests how to improve it

199/365

Synthetic voice enters the contract

198/365

AI video becomes infrastructure

197/365

Adobe chooses Topaz for AI post-production

196/365

The synthetic face looks more real to us

195/365

Synthetic content: new rules change the set

194/365

Can AI have an intuition?

193/365

When AI gets a body

192/365

Who can recognize an AI-generated video?

191/365

Beyond the prompt

190/365

The actress who does not exist

189/365
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