Fifty articles are not only a numerical milestone. They are fifty observation points from which ONOFF VISIONS has tried to understand a world changing faster than the language used to describe it.
Cinema, filmmaking, generative video and creative technologies are the project’s point of origin, not its boundary. Its view extends to work, medicine, education, science, economics, energy, cities, relationships and everyday life.
ONOFF VISIONS does not only report on artificial intelligence: it is built through AI. ChatGPT Work and other automation tools support research, source comparison, writing, cover creation, archive organisation, publication and quality checks.
Each article begins by bringing together different perspectives: official documents, scientific research, journalism, companies and independent observers. This plurality cannot create absolute neutrality, but it can expose contradictions and reduce the risk of presenting one interpretation as the whole truth.
The aim is to make complex subjects understandable without making them simplistic. Readers can obtain a clear account and, through the sources, continue into the original documents and form their own view.
Automation makes a daily rhythm possible and reduces dependence on traditional programming and manual writing. Yet autonomy is operational, not ethical: human direction establishes identity, language, selection criteria, limits and responsibility.
The visual archive will also become a living part of the system. Claudio Napoli’s photographs—faces, places, objects and textures—will meet generative processes to produce a coherent but different cover for every article.
The goal is 365 articles a year, 366 in leap years. The latest twelve remain on the homepage while the others form a permanent chronology: not simply a news archive, but an atlas of the present.
Fifty articles later, ONOFF VISIONS does not claim to possess final answers about AI. It has built a method, an identity and better questions. The journey toward 365 has only begun.